{"id":113876,"date":"2023-10-17T06:40:00","date_gmt":"2023-10-17T11:40:00","guid":{"rendered":"https:\/\/PERSIAN-HERITAGE.COM\/?p=113876"},"modified":"2023-10-17T06:40:00","modified_gmt":"2023-10-17T11:40:00","slug":"prominent-iranian-film-director-dariush-mehrjui-wife-stabbed-to-death","status":"publish","type":"post","link":"https:\/\/PERSIAN-HERITAGE.COM\/en\/2023\/10\/17\/prominent-iranian-film-director-dariush-mehrjui-wife-stabbed-to-death\/","title":{"rendered":"Prominent Iranian Film Director Dariush Mehrjui, Wife Stabbed to Death"},"content":{"rendered":"<p><span class=\"dateline\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-113877 alignleft\" src=\"https:\/\/PERSIAN-HERITAGE.COM\/wp-content\/uploads\/2023\/10\/Dariush-Mehrjui-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/PERSIAN-HERITAGE.COM\/wp-content\/uploads\/2023\/10\/Dariush-Mehrjui-300x200.jpg 300w, https:\/\/PERSIAN-HERITAGE.COM\/wp-content\/uploads\/2023\/10\/Dariush-Mehrjui-150x100.jpg 150w, https:\/\/PERSIAN-HERITAGE.COM\/wp-content\/uploads\/2023\/10\/Dariush-Mehrjui-24x16.jpg 24w, https:\/\/PERSIAN-HERITAGE.COM\/wp-content\/uploads\/2023\/10\/Dariush-Mehrjui-36x24.jpg 36w, https:\/\/PERSIAN-HERITAGE.COM\/wp-content\/uploads\/2023\/10\/Dariush-Mehrjui-48x32.jpg 48w, https:\/\/PERSIAN-HERITAGE.COM\/wp-content\/uploads\/2023\/10\/Dariush-Mehrjui.jpg 600w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>VOA \u2014 TEHRAN, IRAN \u2014 <\/span>One of Iran&#8217;s most prominent filmmakers, Dariush Mehrjui, was stabbed to death Saturday evening alongside his wife at their home near Tehran.<\/p>\n<p>A provincial chief justice said Mehrjui and his wife, Vahideh Mohammadifar, &#8220;were killed by multiple stab wounds to the neck,&#8221; the judiciary&#8217;s Mizan Online website said.<\/p>\n<p>According to Hossein Fazeli-Harikandi, chief justice of Alborz province near Tehran, Mehrjui sent a text message to his daughter, Mona, at about 9 p.m. local time (1730 GMT) inviting her for dinner at their home in Karaj, west of Tehran.<\/p>\n<p>But upon her arrival an hour and a half later, she found the bodies of her dead parents with fatal wounds to their necks.<\/p>\n<p>Later in the day, police said, &#8220;no signs of forced entry can be seen at the crime scene,&#8221; adding that &#8220;no damage has been done to the doors&#8221; of their home.<\/p>\n<p>However, they said &#8220;traces have been found&#8221; at the scene they believe to be &#8220;related to the murderer.&#8221;<\/p>\n<p>According to Iran&#8217;s ISNA news agency, quoting the police headquarters, four suspects have been identified for their links with the case and two have been arrested.<\/p>\n<p>On Sunday, the\u00a0<em>Etemad\u00a0<\/em>newspaper published an interview with the filmmaker&#8217;s wife saying she had been threatened and that their home had been burglarized.<\/p>\n<p>&#8220;The investigation revealed that no complaints had been filed regarding the illegal entry into the Mehrjui&#8217;s family villa and the theft of their belongings,&#8221; said Fazeli-Harikandi.<\/p>\n<p><strong>Everything is political<\/strong><\/p>\n<p>In a statement, Iran&#8217;s minister of culture, Mohammad-Mehdi Esmaili, hailed Mehrjui as &#8220;one of the pioneers of Iranian cinema&#8221; and &#8220;the creator of eternal works.&#8221;<\/p>\n<p>Born on December 8,1939 in Tehran, Mehrjui studied philosophy in the United States before his return to Iran where he launched a literary magazine and released his first film in 1967, &#8220;Diamond 33,&#8221; a parody of the James Bond series.<\/p>\n<p>The 83-year-old was indelibly associated with the Iranian new wave of cinema, with his 1969 film &#8220;The Cow&#8221; one of the movement&#8217;s first pictures.<\/p>\n<p>He then directed a string of well-regarded films including &#8220;Mr. Gullible&#8221; (1970), &#8220;The Cycle&#8221; (1977) before leaving Iran in the wake of the 1979 Islamic revolution.<\/p>\n<p>Between 1980 and 1985, he lived in France where he worked on the documentary &#8220;Journey to the Land of Rimbaud&#8221; (1983).<\/p>\n<p>On returning to his homeland, he triumphed at the box office with &#8220;The Tenants&#8221; (1987).<\/p>\n<p>In 1990, he directed &#8220;Hamoun,&#8221; a dark comedy showing 24 hours in the life of an intellectual tormented by divorce and psychological anxieties in an Iran overwhelmed by the technology companies Sony and Toshiba.<\/p>\n<p>Throughout the 1990s, Mehrjui also depicted the lives of women in &#8220;Sara&#8221; (1993), &#8220;Pari&#8221; (1995) and &#8220;Leila&#8221; (1997), a melodrama about an infertile woman who encourages her husband to marry a second woman.<\/p>\n<p>In interviews with the Iranian media, Mehrjui said he was &#8220;greatly influenced&#8221; by Swedish filmmaker Ingmar Bergman and Italian Michelangelo Antonioni.<\/p>\n<p>&#8220;I don&#8217;t make directly political films to promote a particular ideology or point of view. But everything is political,&#8221; he once said.<\/p>\n<p>To Mehrjui, cinema was like &#8220;poetry, which cannot take sides with anyone&#8221; and he remained adamant that &#8220;art must not become a propaganda tool.&#8221;<\/p>\n<p>In addition to his cinema career, he translated works by the French playwright Eugene Ionesco and the German Marxist philosopher Herbert Marcuse into Persian.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>VOA \u2014 TEHRAN, IRAN \u2014 One of Iran&#8217;s most prominent filmmakers, Dariush Mehrjui, was stabbed to death Saturday evening alongside his wife at their home near Tehran. A provincial chief justice said Mehrjui and his wife, Vahideh Mohammadifar, &#8220;were killed by multiple stab wounds to the neck,&#8221; the judiciary&#8217;s Mizan Online website said. According to [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":113877,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[16],"tags":[],"class_list":["post-113876","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-recposts"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["fa","en"],"languages":{"fa":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/PERSIAN-HERITAGE.COM\/en\/wp-json\/wp\/v2\/posts\/113876","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/PERSIAN-HERITAGE.COM\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/PERSIAN-HERITAGE.COM\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/PERSIAN-HERITAGE.COM\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/PERSIAN-HERITAGE.COM\/en\/wp-json\/wp\/v2\/comments?post=113876"}],"version-history":[{"count":2,"href":"https:\/\/PERSIAN-HERITAGE.COM\/en\/wp-json\/wp\/v2\/posts\/113876\/revisions"}],"predecessor-version":[{"id":113879,"href":"https:\/\/PERSIAN-HERITAGE.COM\/en\/wp-json\/wp\/v2\/posts\/113876\/revisions\/113879"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/PERSIAN-HERITAGE.COM\/en\/wp-json\/wp\/v2\/media\/113877"}],"wp:attachment":[{"href":"https:\/\/PERSIAN-HERITAGE.COM\/en\/wp-json\/wp\/v2\/media?parent=113876"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/PERSIAN-HERITAGE.COM\/en\/wp-json\/wp\/v2\/categories?post=113876"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/PERSIAN-HERITAGE.COM\/en\/wp-json\/wp\/v2\/tags?post=113876"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}