{"id":86842,"date":"2021-06-11T05:14:27","date_gmt":"2021-06-11T10:14:27","guid":{"rendered":"https:\/\/PERSIAN-HERITAGE.COM\/?p=86842"},"modified":"2021-06-11T12:25:04","modified_gmt":"2021-06-11T17:25:04","slug":"auto-draft-50","status":"publish","type":"post","link":"https:\/\/PERSIAN-HERITAGE.COM\/en\/2021\/06\/11\/auto-draft-50\/","title":{"rendered":"Ariana Vafadari breathes life into Anahita, Persian goddess of water"},"content":{"rendered":"<p class=\"t-content__chapo\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-86843 alignleft\" src=\"https:\/\/PERSIAN-HERITAGE.COM\/wp-content\/uploads\/2020\/06\/Vafadari-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/PERSIAN-HERITAGE.COM\/wp-content\/uploads\/2020\/06\/Vafadari-300x200.jpg 300w, https:\/\/PERSIAN-HERITAGE.COM\/wp-content\/uploads\/2020\/06\/Vafadari-150x100.jpg 150w, https:\/\/PERSIAN-HERITAGE.COM\/wp-content\/uploads\/2020\/06\/Vafadari.jpg 600w, https:\/\/PERSIAN-HERITAGE.COM\/wp-content\/uploads\/2020\/06\/Vafadari-24x16.jpg 24w, https:\/\/PERSIAN-HERITAGE.COM\/wp-content\/uploads\/2020\/06\/Vafadari-36x24.jpg 36w, https:\/\/PERSIAN-HERITAGE.COM\/wp-content\/uploads\/2020\/06\/Vafadari-48x32.jpg 48w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>RFI \u2014 After exploring Zoroastrian chants on her 2016 album \u201cGathas, songs my father taught me\u201d, mezzo soprano Ariana Vafadari puts femininity to the fore with the heart-wrenching \u201cAnahita\u201d, inspired by the Persian prophet Zarathustra and the goddess of water. Ten deeply spiritual songs set to Oriental maqam scales, tracing a path from despair to resolution.<\/p>\n<div class=\"t-content__body u-clearfix\">\n<p>French-Iranian <a href=\"http:\/\/www.arianavafadari.com\/\" target=\"_blank\" rel=\"noopener\">Vafadari<\/a> has a successful career as an international opera singer, but remains deeply attached to her Zoroastrian roots.<\/p>\n<p>\u201cI\u2019m from two cultures,\u201d she said. \u201cI love opera more than anything but a part of me needed to express the origins, the music of Iran, the Oriental music.\u201d<\/p>\n<p>She learned <em>Gathas<\/em> &#8211; Zoroastrian prayers dating back some 3,700 years &#8211; from her father.<\/p>\n<p>\u201cGatha means song but we have no idea how it was sung at that time,\u201d she said. \u201cJust the prayers were kept and now the priest chants them. I wanted to compose music on it and make it more alive.\u201d<\/p>\n<p>She did just that for her 2016 album &#8220;Gathas, songs my father taught me&#8221;.<\/p>\n<p>\u201cIt was something I gave to my father, I think it was my father\u2019s side, my more masculine side: knowing, understanding, finding the way.&#8221;<\/p>\n<div id=\"em-WBMZ2896-RFI-EN-20200618\" class=\"m-em-flash\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/eo1zQBHZA8Y\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/div>\n<p>The album &#8220;Anahita&#8221; was inspired by the legend of the <a href=\"http:\/\/www.ancient.eu\/Anahita\/\" target=\"_blank\" rel=\"noopener\">Persian goddess <\/a>of water, fertility and wisdom. The story was introduced to Vafadari by Leili Anvar, a specialist in Persian literature\u00a0who\u00a0wrote the lyrics for seven of the songs.<\/p>\n<p>Anvar&#8217;s adaptation involves a modern day Iranian young woman whose village is plagued by drought, forcing its inhabitants\u00a0to flee. She is visited by the goddess in a dream and goes on a\u00a0quest to find the source of water.<\/p>\n<p>Vafadari said the legend spoke to her in a world dominated by the over-exploitation of the world&#8217;s resources. &#8220;It&#8217;s a world of grabbing land, producing more; the masculinity is so powerful that I felt a lack of femininity in my own world and in myself.&#8221;<\/p>\n<div class=\"m-em-image\">\n<figure class=\"m-figure m-figure--original\">\n<div class=\"m-figure__img-wrapper\"><img decoding=\"async\" class=\"m-figure__img\" src=\"http:\/\/s.rfi.fr\/media\/display\/9c900abe-b176-11ea-bbe4-005056bff430\/w:1024\/p:16x9\/Bombay%20Beach%20Biennale%20Alex%20Welsh%20for%20NYTimes.webp\" alt=\"Mezzo Soprano Ariana Vafaradi performs at Bombay Beach Biennale, California, US in March 2019.\" data-image-dataset=\"{&quot;url&quot;:&quot;http:\\\/\\\/s.rfi.fr\\\/media\\\/display\\\/9c900abe-b176-11ea-bbe4-005056bff430\\\/&quot;,&quot;filename&quot;:&quot;Bombay%20Beach%20Biennale%20Alex%20Welsh%20for%20NYTimes.png&quot;,&quot;ratio&quot;:&quot;p:16x9&quot;,&quot;displayFormat&quot;:&quot;original&quot;}\" \/><\/div><figcaption class=\"m-figure__caption\"><span class=\"m-figure__caption__legend\">Mezzo Soprano Ariana Vafaradi performs at Bombay Beach Biennale, California, US in March 2019.<\/span> <span class=\"m-figure__caption__credits\">\u00a9 Alex Welsh for NYTimes<\/span><\/figcaption><\/figure>\n<\/div>\n<p>In addition to original compositions, Vafadari\u00a0sings three prayers\u00a0from Zoroastrianism\u2019s holy book known as the Avesta.<\/p>\n<p>\u201cThe three prayers are the way Anahita finds her own femininity, the link to her ancestors and to earth and to water.\u201d<\/p>\n<p>Vafadari has surrounded herself with superb musicians from France, Turkey, Morocco and Iran: Julien Carton (piano), Driss El Maloumi (oud), Leila Soldevila and Nicolas Deutsch (double bass), Habib Meftah Boushehri (calabash, bendir, daf).<\/p>\n<p>\u201cIt\u2019s important to show that our generation is a mixture of cultures, all these musics have to stay alive and stay together.&#8221;<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>RFI \u2014 After exploring Zoroastrian chants on her 2016 album \u201cGathas, songs my father taught me\u201d, mezzo soprano Ariana Vafadari puts femininity to the fore with the heart-wrenching \u201cAnahita\u201d, inspired by the Persian prophet Zarathustra and the goddess of water. Ten deeply spiritual songs set to Oriental maqam scales, tracing a path from despair to [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":86843,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[11],"tags":[],"class_list":["post-86842","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-featuredart"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["fa","en"],"languages":{"fa":{"title":true,"content":false,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/PERSIAN-HERITAGE.COM\/en\/wp-json\/wp\/v2\/posts\/86842","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/PERSIAN-HERITAGE.COM\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/PERSIAN-HERITAGE.COM\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/PERSIAN-HERITAGE.COM\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/PERSIAN-HERITAGE.COM\/en\/wp-json\/wp\/v2\/comments?post=86842"}],"version-history":[{"count":5,"href":"https:\/\/PERSIAN-HERITAGE.COM\/en\/wp-json\/wp\/v2\/posts\/86842\/revisions"}],"predecessor-version":[{"id":95847,"href":"https:\/\/PERSIAN-HERITAGE.COM\/en\/wp-json\/wp\/v2\/posts\/86842\/revisions\/95847"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/PERSIAN-HERITAGE.COM\/en\/wp-json\/wp\/v2\/media\/86843"}],"wp:attachment":[{"href":"https:\/\/PERSIAN-HERITAGE.COM\/en\/wp-json\/wp\/v2\/media?parent=86842"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/PERSIAN-HERITAGE.COM\/en\/wp-json\/wp\/v2\/categories?post=86842"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/PERSIAN-HERITAGE.COM\/en\/wp-json\/wp\/v2\/tags?post=86842"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}