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VOA \u2014 As the world nears the milestone of 5 million COVID-19 deaths, memorials large and small, ephemeral and epic, have cropped up around the United States.<\/p>\nVOA \u2014 As the world nears the milestone of 5 million COVID-19 deaths, memorials large and small, ephemeral and epic, have cropped up around the United States.<\/p>\n
In New Jersey, one woman\u2019s modest seaside memorial for her late brother has grown to honor thousands of lost souls. In Los Angeles, a teen\u2019s middle school project commemorating her city\u2019s fallen through a patchwork quilt now includes the names of hundreds more from around the world.<\/p>\n
Here\u2019s a look at what inspired some U.S.-based artists to contribute to the growing collection of memorials honoring the nearly 5 million dead worldwide from COVID-19.<\/p>\n
Washington, DC<\/strong><\/p>\n Back in June, Suzanne Brennan Firstenberg purchased more than 630,000 small white flags in preparation for staging a massive temporary memorial on the National Mall.<\/p>\n It would be more than enough, she thought, to represent all the Americans who would have succumbed to the virus as the pandemic seemed to be on the retreat.<\/p>\n She was wrong. By the time \u201cIn America: Remember\u201d opened Sept. 17, more than 670,000 Americans had died as the virus\u2019 delta variant fueled a deadly resurgence. At the end of the exhibit\u2019s two-week run, the number was more than 700,000.<\/p>\n Firstenberg was struck by how strangers connected in their grief at the installation, which ended Oct. 3.<\/p>\n \u201cI was blown away by the willingness of people to share their grief and by the willingness of others to lessen it, to honor it,\u201d she said. \u201cSo when I looked out on those flags, I saw hope. I really believe humanity is going to win out.\u201d<\/p>\n The installation was the second monumental exhibit to remember virus victims that the Maryland-based artist has staged. Firstenberg previously planted nearly 270,000 white flags outside Washington\u2019s RFK Stadium last October to represent the national death toll at the time.<\/p>\n \u201cFor the first one, my motivation was outrage that the country could let something like this happen,\u201d she said. \u201cThis time it was really to cause a moment of pause. The deaths have been relentless. People have become fully inured to these numbers.<\/p>\n Wall Township, New Jersey<\/strong><\/p>\n On Jan. 25, Rima Samman wrote her brother Rami\u2019s name on a stone and placed it on a beach in her hometown of Belmar, New Jersey, surrounded by shells arranged in the shape of a heart. It would have been Rami\u2019s 41st birthday, had he not died from COVID-19 the previous May.<\/p>\n A makeshift memorial quickly grew up after Samman, 42, invited others in an online support group to contribute markers memorializing their own loved ones. By July there were more than 3,000 stones in about a dozen hearts outlined by yellow-painted clam shells.<\/p>\n Samman and other volunteers decided to preserve the memorial because it was located on a public beach and exposed to the elements. They carefully disassembled the arrangements and set them in display cases.<\/p>\n \u201cI knew if we just demolished it, it would crush people,\u201d she recalled. \u201cFor a lot of people, it\u2019s all they have to remember their loved ones.\u201d<\/p>\n The displays are now the centerpiece of the Rami\u2019s Heart COVID-19 Memorial, which opened in September at Allaire Community Farm in nearby Wall Township. It includes a garden, walking path and sculptures, and honors more than 4,000 virus victims and growing.<\/p>\n Maintaining the memorial has been both rewarding and tough, as she is still mourning the loss of her brother.<\/p>\n \u201cIt\u2019s a double-edged sword because as much as working on the memorial helps, every day you\u2019re exposed to this grief,\u201d Samman said. \u201cIt\u2019s a lot of pressure. You want to make sure it\u2019s done right. It can be draining.<\/p>\n Los Angeles, California<\/strong><\/p>\n Madeleine Fugate\u2019s memorial quilt started out in May 2020 as a seventh grade class project.<\/p>\n Inspired by the AIDS Memorial Quilt, which her mother worked on in the 1980s, the then-13-year-old encouraged families in her native Los Angeles to send her fabric squares representing their lost loved ones that she\u2019d stitch together.<\/p>\n The COVID Memorial Quilt has grown so big it covers nearly two dozen panels and includes some 600 memorial squares honoring individuals or groups, such as New Zealand\u2019s more than two dozen virus victims.<\/p>\n The bulk of the quilt is currently at the Armory Art Center in West Palm Beach, Florida, with a smaller portion on permanent display at the California Science Center in Los Angeles and another featured at the International Quilt Museum in Lincoln, Nebraska.<\/p>\n Fugate, her mother and a small, dedicated band of volunteers meet Sundays to sew and embroider panels. Fabric and other materials are donated by victims\u2019 families.<\/p>\n Now a high school freshman, she plans to keep the project going indefinitely.<\/p>\n \u201cI really want to get everyone remembered so that families can heal and represent these people as real people who lived,\u201d she said.<\/p>\n Fugate would like to see a more formal national memorial for COVID-19 victims one day, and perhaps even a national day of remembrance.<\/p>\n \u201cIt would be amazing to see that happen, but we\u2019re still technically fighting the war against this virus,\u201d she said. \u201cWe\u2019re not there yet, so we just have to keep doing what we\u2019re doing. We are the triage. We\u2019re helping stop the bleeding.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":" VOA \u2014 As the world nears the milestone of 5 million COVID-19 deaths, memorials large and small, ephemeral and epic, have cropped up around the United States. In New Jersey, one woman\u2019s modest seaside memorial for her late brother has grown to honor thousands of lost souls. In Los Angeles, a teen\u2019s middle school project […]<\/p>\n","protected":false},"author":1,"featured_media":99548,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[10],"tags":[],"class_list":["post-99547","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-latests"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["fa","en"],"languages":{"fa":{"title":true,"content":true,"excerpt":false},"en":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/PERSIAN-HERITAGE.COM\/en\/wp-json\/wp\/v2\/posts\/99547","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/PERSIAN-HERITAGE.COM\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/PERSIAN-HERITAGE.COM\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/PERSIAN-HERITAGE.COM\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/PERSIAN-HERITAGE.COM\/en\/wp-json\/wp\/v2\/comments?post=99547"}],"version-history":[{"count":2,"href":"https:\/\/PERSIAN-HERITAGE.COM\/en\/wp-json\/wp\/v2\/posts\/99547\/revisions"}],"predecessor-version":[{"id":99550,"href":"https:\/\/PERSIAN-HERITAGE.COM\/en\/wp-json\/wp\/v2\/posts\/99547\/revisions\/99550"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/PERSIAN-HERITAGE.COM\/en\/wp-json\/wp\/v2\/media\/99548"}],"wp:attachment":[{"href":"https:\/\/PERSIAN-HERITAGE.COM\/en\/wp-json\/wp\/v2\/media?parent=99547"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/PERSIAN-HERITAGE.COM\/en\/wp-json\/wp\/v2\/categories?post=99547"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/PERSIAN-HERITAGE.COM\/en\/wp-json\/wp\/v2\/tags?post=99547"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}\n\n![\"Rima](\"https:\/\/gdb.voanews.com\/C1910B88-188F-4AAA-A5F8-E0A95D5D1102_w650_r0_s.jpg\")
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